My Consultation with Camille Saum

Posted by Jennifer Sergent Monday September 14, 2009 - 03:35 PM

Opportunity was calling me when The Washington Design Center held its Find-A-Designer Consumer Day last week, which was sponsored by Washington Spaces. I signed up for a free consultation with one of 20 designers who were on hand that day, and as luck would have it, I was assigned to Camille Saum, whose work I’ve gotten to know well since I’ve been with the magazine.

Camille Saum greets me in the Kravet showroom.


I gave her two design dilemmas to solve.

First, my son’s bedroom. My 7-year-old has declared that it’s “too baby.” He may have a point.

Next, our dining room. We recently bought our fabulous chandelier from Viva Terra, and got new window treatments from a huge sale last year on Brunschwig & Fils fabric. We used the reverse of that fabric to re-upholster the dining room chairs. We also bought the black rug, and all of it complements our black and white photography on the walls. But the striped wallpaper – the last vestige of our home’s previous owners – has got to go.

So, what do you think, Camille?

We tackled the boys’ bedroom first. Henry fell in love with a quilt on an outing to Sperryville, VA, last weekend, so we had our inspiration piece to start a new look. I took the matching sham with me for reference:

I told Camille that I wanted a sleek new look for the boys’ room. Considering the “country” nature of this quilt, I didn’t want the room to devolve into some Holly Hobbie nightmare.

With barely a pause, the ideas started flowing. “I think this color on the walls,” she said, pointing to the brown background on the sham. “I think it’s sort of handsome looking.” That came as a bit of a shock – all that brown? But it might be growing on me, considering the trim, ceiling, louvered doors, and bookcases would be painted cream.

Then she told me to find a “tweedy” rug with a “salt and peppery” mix of navy and cream. I never would have thought of something like that, but more on the rug later.

We then tackled the window treatments. I told her Roman shades would be good, but what kind of fabric? Remember, I kept telling her, no Holly Hobbie. No gingham. No country look.

So we started in stripes.

While the selection at Kravet was lovely, it was also waaaay too expensive for a little boys’ room.

The Fabricut showroom was next. We found a good candidate.

Camille gets help from the lovely Jennifer Clark


A close-up of our first candidate – Fabricut’s Deer Grove


But Camille was trying to find a version of mattress ticking with some navy blue in it, which we both thought would look great. But we, along with Fabricut’s Jennifer Clark, made an interesting and rather depressing discovery: “Navy is actually a color I don’t see that often in textiles,” Jennifer remarked.

My pillow sham has dark, nearly-black navy blue in it, but no one seemed to have anything that runs dark enough.

Nope, won’t work.


Not quite.


On to Pindler & Pindler we went, without any more luck. But then we stopped into Schumacher on a whim, where Camille declared she had found The One.

Remember what I said about avoiding Holly Hobbie, and no gingham?

“I like this!” She said excitedly. “I think it goes!” Meanwhile, I’m getting bad, eye-twitching visions of some Kountry Kute explosion in my poor son’s bedroom.

What’s worse? This fabric is from Schumacher’s “Country House Cottons” collection. I can’t do it, Camille. I just can’t. Then the showroom rep, Mark Hall, produces a solid blue color. “I’m drawn to the solid,” I tell her. “Hmm” is her response, in a tone that’s more of a “Humph.”

She compromises. Try the solid with a wide trim in the check pattern, she says. Then she tells me to walk away from it, turn abruptly around, “and take a quick look – they do go.”

Oh, okay.

Here it is. I have since gotten the approval from Henry, who really likes the combination.


As for the rug, I’m pretty much on my own now, but I like Camille’s tweedy concept. Here are some options I’ve found online, which don’t approach the “salt and peppery” texture I’m after, but are worth considering. 

From Flor:

Clockwise from upper left: Rake Me Over in Lagoon; Twist and Shout in Indigo; Velvet Rope in Cream and Indigo


From CompanyKids:

Flokati rug in Denim Blue


So let’s put the bedroom aside for now and check in on the dining room.

“I think we ought to try to do something from this light fixture,” Camille says. “I don’t want to scare you, but it looks like there’s a hint of peachy in here.”

And you know, she’s right! I came home and turned on the light, and there is a bit of a peachy glow from it, which is somehow appropriate because there are some peach tones in the adjacent living room.

In any event, she says, with all the blacks, whites and browns in this room, “You need color. You really need color.”

Now, here’s the second whammy: She says we should paint some peachy stripes where the wallpaper is now – only this time, they should be horizontal, and very wide – six to nine inches wide. She whips out a photo of a similar room she designed with wide, sorbet-yellow stripes, and I immediately see how horizontal stripes can make a tiny room like our dining room look much bigger.

But what kind of peach? Like the boys’ bedroom, I can see this going bad, fast. But this is why Camille is a designer and I’m not.

Camille started searching for a fabric in Pindler & Pindler’s cotton section that might emulate the paint color.

Hmmm. We’re not quite there yet. I started looking online, but again, paint needs to be viewed in person. The search is not over.

How about Farrow & Ball’s Fowler Pink? Maybe too pink.

Benjamin Moore’s Peach Sorbet? Maybe too peach. (I’m starting to feel like Goldilocks here…)

Sherwin Williams’ Pizazz Peach? Maybe?

Decisions, decisions. Thank you, Camille, for at least giving me a road map – one I never would have imagined if left to my own non-designer devices.

Anyone else have advice pour moi? This will likely be a year-long process, so there’s plenty of time to mull it over. I’ll keep you updated.

Good Design

Posted by Jennifer Sergent Thursday April 02, 2009 - 05:09 PM

Sometimes, you don’t need a thesaurus when a simple phrase like “good design” says it all.

That’s why former MoMA curator Edgar Kaufmann, Jr., along with mid-century masters Eero Saarinen, George Nelson, Russel Wright, and Charles and Ray Eames established the Good Design awards in 1950 at the Chicago Athenaeum Museum of Architecture and Design.

I would have passed these awards right by, if I hadn’t discovered an email from Walker Zanger when I was clearing my inbox today. The stone and tile company’s Sonja Mosaic collection, which is created with hand-cut marble and limestone, was honored in the 2008 awards.

More than 500 awards were given out to companies in 34 nations for everything from home-related design to electronics, robotics, medical devices, transportation, and graphics for branding. But let’s focus on home for now.

Soorikian Furniture’s lovely Woven Front Console won in its “effort to overcome the impenetrability of solid mass by treating wood as a fabric,” according to the catalog. 

Philippe Starck’s Mr. Impossible Chair by Kartell, so named because of the advanced plastics technology it took to meld the seat and the frame in a translucent piece of furniture.

I love the Zentrix Shower Drainage, not only because it’s not the typical round drain with holes in it, but it allows for level access so no threshold for the shower is needed – perfect for people with mobility problems.

This Bulthaup kitchen is amazing: a work bench in the middle that includes a sink, plus armoires that hold “appliances, crockery, tools, and ingredients.”

Mary-Ann Williams rocks for her laser-cut felt Lotus Flower rug.

(This is another of her rugs, so you can get a better idea of what they look like from a distance.)

I’ve seen walls covered in all manner of fabric, but blankets? This is too cool. By David Rockwell for Maya Romanoff.

This is what I need, a carafe to instantly chill down the warm white wine that just came home from the store.

I was excited to see John Pawson’s cookware win a design award – seeing as I blogged about it here last summer, great minds think alike.

Patricia Urquiola was honored for her Design Landscape tabletop series, in which one of seven different sculptural reliefs are etched into each piece. Wow.

Even the most humble of house wares – the dishcloth, was recognized. Eva Solo’s dish cloth is designed to stand on an attractive base when not in use – no more smelly dishcloths hanging off the side of the sink.

And it doesn’t get more workaday in the kitchen than with Pyrex and Tupperware. They also won design awards for the Teardrop bowl (Pyrex),

and the Allegra storage containers (Tupperware), although the American version might also be called Radiance, based on an Internet search.

Barry Dixon's New Rug Collection

Posted by Jennifer Sergent Friday March 27, 2009 - 03:30 PM

Does the man sleep? Barry Dixon designs homes all over the country and as far away as Moscow and Beijing. He designs furniture. He designs fabrics. Now, he has a new collection of rugs for Megerian, which made its DC debut at a reception last night at Timothy Paul Carpets + Textiles.

Barry Dixon stands with Sarkis Vardanian, general manager of Megerian’s New York showroom, who came to DC for the occasion. They are in front of Dixon’s Medina rug.

Each rug is 100 percent organic, with dyes coming from flowers, plants, and roots. Megerian has mills all over Armenia, and Barry’s rugs are woven by hand in whichever region has the plants necessary to provide the proper dyes for each particular order.

A sampling of roots, grasses, and dried pomegranates were displayed at the reception to show where the dyes come from. One pomegranate can yield 16 different shades of red, depending on which part of it is used, Dixon said.

No rug is ever identical to another because each is handmade (and takes about five months to create), and there is color variation in the dyes. Note the Medina rug, above and below, which was inspired by the pattern on a 19th-century tooled leather box Dixon bought in Medina, Saudi Arabia. The different colors make them look like completely different rugs.

Dixon confided that he’s ordered the Medina pattern in “a pale stony gray field with egg-yolk gold” swirls for the living room he’s designing at the upcoming CharityWorks GreenHouse, where he is also design director. (Washington Spaces is the media sponsor, and we’ve been following the home’s construction right here on the blog.)

Dixon calls his designs “abstractions of more traditional rugs, and they have a transitional quality that can be used happily with contemporary or traditional homes.”

Dixon ordered the Foret pattern, inspired by leaves on the forest floor, in a giant 24- by 36-foot size for the Nashville home of former Sen. Bill Frist and his wife, Karyn.

Dixon, who is currently offering nine designs in more than 160 color combinations, has already ordered them for clients in five U.S. states and in Russia. Fourteen other designs are forthcoming.

The Glen Keith pattern was inspired by a castle Dixon visited in the Glen Keith region of Scotland. The border was carved in the castle’s walls outside, and the bell flowers and palmettes were among the interior carvings. Dixon said the rug’s pale red color comes from the skin of the pomegranate, while the more intense shade in the border and flowers comes from the juice.

Dixon and Megerian’s Sarkis Vardanian met three years ago in High Point, NC, where Dixon was featuring his latest furniture collection for Tomlinson/Erwin-Lambeth and Megerian had set up a temporary showroom. “A friendship led to more creativity,” Vardanian said. “It was a dream, to tell you the truth.”

Timothy Paul, who said “Barry’s been a client and a friend for a long time,” jumped at the chance to sell Dixon’s rugs after he saw them displayed for the first time at the Atlanta International Area Rug Market in January. “The designs are spectacular. I think we’ll do really well with them,” Paul said.

Shoppers in the store see the back of the Floret Vine pattern, above, which is just as lovely as the front, visible out the window, below:

“This line is very special for us. On our collection list, it’s one of the tops,” Vardanian said of the designs. “They look so different and so new – they are very unique in the market.”

Dixon, ever the Southern gentleman, shrugged off the repeated accolades. “You see things, you’re inspired by them, and you create something fresh. That’s what we [designers] do.”

Yes, Barry, sure.

Designed For Kids

Posted by Jennifer Sergent Thursday September 18, 2008 - 09:58 AM

If you ever wondered if it were possible to create an atmosphere for your children that was stylishly devoid of puppies and duckies and soft pastels, check the stores on Oct. 1 for Designed for Kids by Phyllis Richardson (Thames & Hudson Inc., $34.95), a sourcebook for great kids design and décor.

The publisher sent us an advance copy, and as a mom, I quietly cursed not having this at my fingertips when my sons were born. In addition to fabulous products, Richardson also interviews top designers about their kid-design philosophies. Yet for all the gorgeous objects in this book, some of them are literally too good to be true. I pounced on a car seat that can swivel to the side so you don’t have to contort yourself reaching around to get the strap fastened, but psych! You can’t buy it in the U.S. And I LOVED a “modern playshed” with mid-century lines, but some quick checking proved that it’s been discontinued. Same thing with a Lego building table that I would have bought on the spot. I would still recommend this book – just curb your enthusiasm until you type in the Web address to see if you can actually obtain the item. Here are some of my favorites:

The Sleepi line from Stokke includes a crib that transforms later to a toddler bed or day bed, and a changing table that converts to a desk. I’m all for baby equipment that grows with the child – especially when it looks so good. 

Speaking of conversions, this “Tea Pod” children’s furniture not only provides the kids with different shapes to play and sit on, but the tray on one of the elements serves kids and adults equally well.

I can’t get enough of this Baby Zoo Rug by Boym, which you can buy from the great kids’ Web retailer Modernseed. Not only is it a fun, funky rug for your kids’ room, but it also contains a (brillianty) built-in night light.

As for room décor, it’s hard not to fall for these sweet animal shapes cut from vintage wallpaper by Inke, a designer in the Netherlands whose work can be purchased in the U.S. right here.

This wallpaper from Sweden-based Sandberg is subtle but imaginative. But find an interior designer friend to get it – you can only buy it at to-the-trade Stark Carpet.

I flipped over these Rug Company wall hangings by Paul Smith – they remind me of the crazy graphics and storybook illustrations of my early-’70s childhood.

And how can you resist getting these toy boxes from Mod Mom?