Sneak Peek: Fall 2008 Design House
The Washington Design Center unveiled its Fall 2008 Design House yesterday, allowing members of the press to see the eight rooms that carry the theme of “Casa Couture: Designers in Vogue.” The Design House opens to the public next Friday, Sept. 26, and runs through Dec. 13. Unlike designer show houses that raise money for charity, this tour is free.
Here’s a sneak peek of the rooms and their designers (all photographs by Timothy Bell).
Entry/Foyer: Yvette Piaggio, Piaggio’s Loft
“European Transitional”


Living Room: Emily Bishop, Emily Bishop Interior Design
“Think Café de Flore meets Studio 54 meets Velvet Lounge”


Family Room: Brad Weesner, Brad Weesner Design
Combines looks from the last century with cutting-edge gaming technology.


Dining Room/Bar: Michelle Pilon, Michelle Pilon Interiors
“Dining Menu: Yesterday – Today – Tomorrow”


Kitchen: Todd Martz, Todd Martz Interiors
Clean style of the cabinets and furniture is warmed by the collection of outsider art.


Bedroom: Michelle Miller, Jenkins Baer Associates,
Natural fabrics such as silk, linen, velvet and wool in tonal shades of gray.


Gentleman’s Retreat: Wayne Breeden, E. Wayne Breeden
Textiles from Kravet and Lee Jofa in shades of moss, cement, putty, ivory, and celery.


Photographer’s Study: Tami Hatch and Pattie Gunter, Gunter-Hatch Design Group
Inspired by runway trends with dressmaker details for world-traveling photographer.


Barry Dixon, Relaxed
Designer Barry Dixon, whose new furniture collection and book we feature in our fall issue, is becoming more relaxed in his personal style, according to the current issue of House Beautiful.
Dixon and eight other designers were asked to comment on how their homes have evolved over the last 10 years. Here’s what Barry said:
“My home is a lot more relaxed, less rigid. As I’ve ‘matured,’ I’ve gotten comfortable with the serendipitous migration of things. I’m less of a slave to putting things back where they belong. The chairs used to have to sit at perfect right angles to the sofa, but, you know, it’s nice when they’re angled so I can look out the window or see the TV more easily. It’s great to loosen up. And I notice that people are more at ease when they come over because it’s not all too-too perfect.”

Here’s his family room – I’d definitely feel relaxed in here! This and other images of Barry’s home, Elway Hall, are in his new book, Barry Dixon Interiors.
Here’s another thing Barry Dixon fans will love – you can be his friend.
Barry recently jumped on the social networking bandwagon and opened an account on Facebook. He really needs friends, too – he only had 38 at last count, but we know he has so many more!
A Luxurious Evening at Charles Luck Stone Center
Photography by Jay Pigeon, Integrated Media Systems
Many from the Washington, DC, design community, including architects, builders, and interior designers, who gathered last Friday night for a luxurious party at Charles Luck Stone Center in Chantilly, VA, were wowed by the sophisticated showroom that greeted them. Unlike most stone warehouses that have huge slabs of raw stone with few refinements, this one is in a league of its own. This is the second bash Charles Luck, Integrated Media Systems (IMS), and Washington Spaces has hosted within two-and-a-half weeks to highlight their products and services.
Nancy Colbert of Design Partners LLC and Marilyn Burroughs of New Leaf Collaborative Architecture & Design PLC both commented that the clean-lined space, which looks as if it evolved over many years from one small red stone building that could have originally been an old factory, would be a wonderful resource to work with a client.
“I’ve seen some stones here that I’ve never seen before and I thought I’d seen everything,” Colbert says. “When you take a client to a granite yard, it’s overwhelming, really mind-boggling. To come here and see the same stone with different finishes – well polished stone or a honed stone or a stone that’s been flamed – is great.”

Laura Lim, sales and marketing manager of Morton’s The Steakhouse – Tysons Corner, gets the scoop on semi-precious gemstones held together with epoxy resin from William Shifflett of Charles Luck Stone. Great minds think alike, the same cool Bendant lamp by MIO Culture that is featured in the showroom graces the What’s New page in the current issue of Washington Spaces.
“People like to touch stone, it’s a very emotional buy,” says William Shifflett, director of operations of Charles Luck Stone, adding that the center can custom make just about whatever a client desires. “Someone can say, ‘I grew up in a house with a huge limestone fireplace,’ and we can replicate that,” he says, mentioning that people bring in paint chips and fabric swatches, and plan their projects in the showroom.
“It’s exciting to be here,” says Michael Roberson of Michael Roberson Interior Design, who has brought clients to Charles Luck Stone in the past. She and her husband, Rob Roberson, enjoyed the wine tasting provided by The Vintage Vintner, among other amenities.

Michael and Rob Roberson relax in a conference room with stone planking that looks like a hardwood floor.


A custom made limestone fireplace and intricate mosaic hearth are integrated into the Charles Luck Stone Center showroom.

Lynn and Mark Fernandes - he’s president of Charles Luck Stone Centers - exchanged ideas with Daniel Steinkoler, owner of Superior Home Services Inc., who says he had a “blast” that evening.

Left to right: Washington Spaces Senior Account Executive Emilia Philip, Associate Publisher Heather Heider, Greg Powell, sales manager and hardscape developer of Lewis Aquatech, Don Gwiz, vice president of Lewis Aquatech, and Beth Powell, enjoy the evening.

Susan Utley of Design Studio of Bethesda chats with Randy Gore of Charles Luck Stone.
Randy Gore of Charles Luck Stone escorted interior designer Susan Utley of Design Studio around the showroom, while her friend, Lisa Tureson of Faux Creations Inc., a decorative art firm, explored and looked for particular stones. John Kiernan of Blue Line Studios, which also specializes in glorious decorative finishes and murals, enjoyed the many luxurious elements of the evening, including the Lamborghini, Maserati, and GranTurismo from Ferrari Maserati of Washington that were parked just outside the building. IMS provided six Sharp LCDs placed around the showroom that played a continuous loop about luxury providers Charles Luck, Ferrari, Maserati, and IMS.

Lisa Tureson of Faux Creations Inc. examined the beautiful selection of stone.

Maureen Morris, co-owner of Morris Stone Inc., Tom Wells, president of Integrated Media Systems, and Heather Heider, associate publisher of Washington Spaces, shared a few laughs.
Many raved about the delicious jumbo shrimp and delectable crab cakes that Laura Lim and her crew from Morton’s The Steakhouse Tysons Corner served. Heather Heider of Washington Spaces ate one irresistible bite-sized cheesecake by Fresh Confections and said she thought she’d died and gone to heaven.

Lee Odess, director of marketing and sales for IMS, takes a tasty break with his fiancée, Jen Ingberg, owner of Fresh Confections.

Left to right: Front row, Jim Colbert and his wife Nancy Colbert of Design Partners LLC, Rebecca Hubler of Designed Interiors and her husband David, and back row, Paul Parker and his wife Jennifer Parker of Patera Home LLC enjoyed the festivities of the evening.
The intriguing architecture of the building, designed by Andrew Moore of Glavé and Holmes Associates, impressed Architect John Burroughs of New Leaf Collaborative Architecture & Design, the most. “You would really want to bring clients here,” Burroughs says.

John and Marilyn Burroughs admired the architecture of the Charles Luck Stone Center, which he says reminds him of an old mill.
Mark Fernandes had the last word as he pointed out that the red stone at the core of the building was hand-tooled Chinese sandstone from the same province where Confucius was born. Now that’s impressive.
A Masterpiece in Chevy Chase
Photography by Magenta Livengood
The line between being respectful to a home’s history and being a slave to it is always thin, but it’s one on which Chryssa Wolfe of Hanlon Design Build Inc. comfortably perches. She recently completed End Lane, an impressive renovation in Chevy Chase, MD, that merges reverence for history with the informal way we live now.

End Lane at dusk
“I didn’t want it staid,” says Wolfe, “I didn’t want it serious.” So she brought in lively colors wherever possible – Donghia daybeds, William Morris wallpaper, vibrant tile in the mudroom, and surprisingly successful purple walls in the dining room. Wolfe took risks throughout, and they paid off.

Donghia daybeds in the library
Fans of Wolfe’s work will recognize some signatures: masterful millwork and mouldings, impeccable color choices, and effortless blending of new and old looks.

The formal living room

A sitting area adjoining the foyer and dining room

Modern conveniences, country charm in the kitchen
“In China, they’re tearing down all these old homes,” Wolfe says, and since this home was nearly a goner itself, she decided to bring in some relics from Chinese teardowns as a nod to the value of reinvention.

Chinese shutters and doors
And this is just a taste. The home is rich with ideas, from Wolfe’s paintings of trees that had to be torn down for the project to cork footrests in the theater to children’s suites that brim with personality. For Wolfe and her team, End Lane is a home run.
NSO Design Events Are Back

Shanon Munn, Ambi Design Studio LLC
Here’s a sneak peek at one of the rooms that will be featured in an interior design show sponsored by The Women’s Committee for the National Symphony Orchestra, called Beyond Dragons: An East-West Fusion of Interior Design.
The NSO is back in its second year of sponsoring a scaled-down design show at The Woman’s Club of Chevy Chase – not to be confused with the huge decorators’ showhouse events it put on for years but discontinued after 2006, in part because of bureaucracy and liability issues involved.
The committee is hoping that the best things come in small packages. Unlike the month-long decorators’ showhouses of old, this collection of designer vignettes will run for just five days in October (22nd – 26th).
In keeping with the Asian theme, each designer involved will receive assistance from the wives of diplomats and ambassadors from the 10 countries of the Association of Southeast Asian Nations, which include Brunei, Cambodia, Indonesia, Laos, Malaysia, Myanmar, Philippines, Singapore, Thailand, and Vietnam.
The 10 designers participating in the show – mostly young up-and-comers – were formally introduced today at a luncheon in the elegant Circles Lounge at the Kennedy Center’s Opera House. Keep reading for details on each designer and their “east-west” decorating plans for the show.
Camille Beers
Beers is planning a “Sensual Meditation” space that visually illustrates the physical regimen of bikram yoga. “I find it interesting how something so intense gives the result of restoration, detoxification, and tension relief,” she says. Therefore, she is planning a chaise covered with hot pink and fuchsia fabrics, vivid artwork, “and then you’re wrapped in a cocoon of white … It’s this intensity and the relief of what surrounds it that is able to create the balance.”
Luis Florendo
This Baltimore designer, who is of Filipino descent, is creating a “window space” that will represent “modern Filipino design within a traditional American space.” He will use fabrics such as silk made from pineapple leaves (“It is wonderful – it is so very soft,” he says.), and highlights will include carabao bone and mother of pearl.
Liz Levin
Levin is creating a parlor/cocktail lounge that will boast aqua-colored walls with deep red and gold accents, with a wide black-and-white rug. She’s considering blackboard paint on one of the wall’s panels and Chinese photography that is blown up and stretched over a canvas.

An example of Liz Levin’s work
Karen Luria
Luria is having her new design assistant, Mary Beth Schepp, coordinate the dining room space they have for the show. The space will feature an Odegard rug, furniture from Berman Rosetti, and art from a local gallery. As for colors, Luria says, “I’ll only tell you warm and cool.”

Karen Luria’s work
Sandra Meyers
Meyers has a bedroom with no walls. Well, she has one wall, but it’s got 11-foot-wide window on it. “This window screamed at me, so I have to make it all work perfectly,” she says. Meyers will frame a McGuire platform bed with that window, along with a thick wool terracotta drapery. The space will be highlighted with gray accents. “It’s basically Asian flavored,” she says, rather than heavily Asian themed. “It’s simple and elegant.”

Sandra Meyers’ work
Janet Morais and Anna Bimba
Morais and Bimba are creating an altar to the religion of shoes in this dressing suite. “We’re the shoe girls,” Morais says. “It’s our obsession with shoes. It’s all about shoes.” The space will feature a black lacquer “pagoda shoe temple,” Morais adds, along with a red velvet chaise and highlights of gold.
Tracy Morris
Morris’ “restful reading space” is almost an extension of Meyers’ bedroom, so the two designers are working in tandem to feature colors that coordinate. Hence, Morris will use gray, like Meyers, but instead of Meyers’ terracotta, she will make the focal point a blue Asian cabinet, which she is borrowing from a friend.

Tracy Morris’ design
Shanon Munn
Shanon Munn is calling her space, featured at the top of this post, “Not Your Grandmother’s Drawing Room.” It’s a traditional space, she says, “but it’s not going to be rendered in a traditional way. It’s going to be Hermès meets Chinatown.” A geometrical Chinese armchair, for instance, will sit next to a classic Chesterfield sofa. “I’m showing how you can take a western room and throw pieces in there almost like jewelry.”

Shanon Munn’s design
Smith & Hawken
Ian Simpson, manager of Smith & Hawken’s Chevy Chase store, will be designing the outside space at the design show.
Sally Steponkus
Sally has a dining space that adjoins Levin’s parlor. She’ll pick up on Levin’s aqua walls by using that color in the space, paired with greens, beige and white. The highlight will be vintage Chinese Chippendale furniture with chinoiserie wallpaper by Brunschwig & Fils. Custom dining chairs will have Cowtan & Tout upholstery.

Sally Steponkus’ design
What is Luxury?
If anyone knows, it’s Steve Nobel, co-founder of the Luxury Home Alliance and a consultant to luxury brands such as Kravet, where he recently started a blog.
“Luxury today is a state-of-mind or state-of-the-soul, rather than a statement on the size or elasticity of one’s wallet,” he writes on Inspired.Talk. “We believe that luxury is really much better described as an intimate and exclusive experience with time, quality, and imagination.”
Huh? He goes into laborious detail about what time, quality, and imagination mean, but he lost me. As they say, though, a picture is worth a thousand words, and the few images he’s chosen to illustrate luxury (shown below) say it all. Steve, please post more of them!
The grouping of art, along with the dramatic black sculpture and statues on that huge coffee table, frame the luscious colors and shapes of the rest of the room. Luxury is the ability to pile on objects, patterns, textures, colors, and shapes into a whole that is perfectly cohesive and not … piled on.

You don’t have to be a dog lover to appreciate the exquisite layering of fabrics and patterns here. Luxury is wrapping yourself in deep, dramatic folds – everywhere you turn.

Only an artist can successfully mix all the prints you see in this room. Non-interior designers, don’t try this at home. Luxury is achieving this stupendous balance of pattern and hue in a way that makes your heart sing.

This space is so cool and confident, yet serene in understatement. Luxury is knowing how to edit a room down to the barest and most beautiful essentials.

Head’s Up
This spring, we profiled John Kiernan and his Blue Line Studios as part of a story on ceiling décor. His ceiling mural portraying icons of American history was stunning.

Kiernan just sent us an e-mail with photos of his latest project, a kitchen in a McLean, VA – an example of your basic upscale kitchen getting a treatment that makes it really unique (the sky might have been more realistic without pendant lights hanging from it, but it’s a kitchen, after all). The walls, meanwhile, were also painted and textured by Blue Line. Very cool.



Simon Doonan!

I love this man because he has built an empire of styling, advice-giving, and window-dressing around his delightful and witty personality – which is why I practically sprinted over to the Corcoran last night when I found out he was giving a talk about his new book, Eccentric Glamour.
Although he’s not an interior designer, we like what he has to say about the topic. Through his New York Observer column, he warned us about the pitfalls of decorator bullies (“One client was…forced to embrace an overly ironic Rumplemeyer-esque ice-cream parlor scheme in her kitchen.”), the phenomenon of Color Me Beautiful (“Why do Winters love to cast nasturtiums on us Autumns?”), and the see-and-be-scenery that is New York’s Winter Antiques Show (“Avail yourself of this unique opportunity to observe these Park Avenue incroyables at close range.”)

In Eccentric Glamour, the Barneys New York creative director and VH1 talking head isolates three types of women: the Gypsy, an ethereal bohemian with a penchant for all things flowing, the Socialite, a classic preppy who loves sweet, bright color, and the Existentialist, a brooding, intellectual type whose attire reflects the wearer’s cerebral nature.
These three styles translate easily to home decor, he says.
The Socialite’s home is “tidy, crisp, clean, and colorful,” he says, with a “shrill, Palm Beach-y” vibe. Those with such tendencies should look to women like [designer] Kelly Wearstler,

Babe Paley,

and CZ Guest for inspiration.

The Gypsy is a “happy bohemian” who might be “living in a geodesic dome.” Her personal space might be “darker and cavernous,” with an air that fosters “chaos.” The Gypsy’s question: “Janis Joplin, Joni Mitchell…how are they living?”
Existentialists, he says, are “a much smaller group,” prone to minimalism and conceptual decorating themes. Doonan imagines an Existentialist living in an art-filled barn in Texas. “John Pawson might do her house,” he mused. (We mused about Pawson right here just a few days ago.)
Doonan shares a New York apartment with his partner, the cheeky interior designer Jonathan Adler. The decor is “Jonathan Adler wall-to-wall.” “It was fun to let him do it,” says Doonan, who has “enough Joan Crawford control” in his day-to-day to sit back and let his partner take the decorating reigns.

“Our apartment,” he says, “is so abnormal.” As the guinea pigs for many of Adler’s inspirations, the space is populated with his current obsession – a line of “demented needlepoint pillows” bearing slogans like “Etc,” “Pill,” and “Hugs.” Adler’s book, Happy Chic, submits that your surroundings should inspire joy and contentment, even when the outside world has it in for you. Doonan says Adler believes that “your apartment should be like a dose of Zoloft,” very “upbeat and groovy.”
This theme of personal creativity and self-satisfaction is the undercurrent of Doonan’s rhetoric. Listening to him talk is great fun, and listening to him rail against conformity is inspiring. He wrote Eccentric Glamour in an attempt to shatter the Stepford-Wife-ization of fashion that he finds “deeply and intensely boring.” Doonan wants to expose “the utter pointlessness of ever being self-conscious,” a tendency that he finds “oppressive to women.” He wants women to “embrace their idiosyncrasies.” “You can set fire to yourself in front of Macy’s and no one will notice!” Clearly, this line of thinking has brought Doonan great success, and I’m willing to bet that it would be great fun for anyone else who wants to try.
She Makes House Calls
Cheers to Diane Gordy of DGI Design Group, who is the featured designer in The Washington Post’s House Calls today.

We have a special fondness for her, too, as she was one of our winners in the Washington Spaces 2008 Best of Interior Design competition. Her winning bedroom/loft project was inspiring.

DC Modern

It was so exciting to see the piece in Sunday’s Washington Post about modern architecture in DC, which includes profiles on the work of Simon Jacobsen and Travis Price. It’s great to see other publications celebrating DC’s modernist gems.
Our current issue’s Best of Remodeling competition awarded Simon Jacobsen for “Washed in White," a breathtakingly spacious, light-filled, and thoroughly modern interior.

Remodel by Simon Jacobsen
In 2006, we showcased his work on a Watergate condo, where he reorganized the awkward floor plan to create a clean and streamlined space.

Watergate condo design by Simon Jacobsen
In 2005, we examined the very house where Simon spent his childhood, which was designed by his father, architect Hugh Newell Jacobsen.

Home of Hugh Newell Jacobsen
In fall 2006, we recognized the creative breadth of Travis Price, whose projects included a space that he “psychologically doubled” in size using glass and natural light.

A renovation by Travis Price
Washington Spaces always has its eye on modernism, noting local standouts such as the cool, colorful Arlington home of Jack and Cathy Gerstein,

… and the minimal-but-tactile Maryland Apartment of Irene and Alfred Roth.

Nick Olsen's Cheap Chic
A few nights ago, my boyfriend and I weathered a minor squabble about the functionality of our coffee table – a hand-me-down hurriedly acquired when we moved into our apartment over a year ago. (He: "It serves a purpose!" Me: "It’s ugly!") If I had my druthers, I would pick up the phone and place an international call to the nice people at Hida, the Japanese furniture company, and order the scaled-down version of their Giulie dining table. Being bound by an unforgiving budget, however, I was in no position to do so.
It was quite serendipitous, then, when Jennifer told me that the domino blogger and affordable-design guru Nick Olsen would be speaking at the Corcoran. I went to his talk, hoping to glean some knowledge on how to punch up my home in a way that would not distress my checkbook.

Olsen’s attire spoke volumes about his aesthetic – neat suede shoes, trim khakis, and a fitted, tongue-in-cheek prep-school blazer provided a canvas for eye-popping accent pieces, including a skinny striped tie (my current favorite men’s piece at J. Crew) and bright green socks. Speaking conversationally, he offered up a breezy, funny take on his “Cinderella story:” after four years at Columbia, where he read Vogue while his architecture textbooks collected dust, he was hired as the assistant to Miles Redd, creative director for Oscar de la Renta home.
After seeing Olsen’s beautiful and painstakingly cultivated apartment (Olsen waited a year-and-a-half to throw a housewarming party), Redd called domino editor Deborah Needleman. Three months later, the apartment was on the cover of the magazine.

Olsen imparted common-sense decorating wisdom while bringing some innovative ideas to the table – a mix of opposites that has become his trademark. He marries a jaunty haute-couture sensibility with a budget, Louis XV with Eames, and Ikea pieces (Olsen’s “blank canvas”) with just about anything, working with the belief that an “expensive” look is firmly within the realm of thrifty possibility.

The key is a healthy devotion to DIY. His battle cry? “It’s not hard!” Clicking through slides of his refrigerator, which he wallpapered using rubber cement on a Saturday afternoon, and his sapphire couch, reupholstered with the help of a televised tutorial, Olsen extolled the virtues of bargain-hunting, risk-taking, and elbow grease in the quest for stylish home design. More photos of his apartment are available right here.
Olsen named flea markets, Craigslist, and “eBay!!!” (his emphasis) as great resources for inexpensive items to be refinished, repainted, or reupholstered to look sleeker, funkier, or sexier. A big shout-out went to cheap-antiques maven Miss Pixie of Miss Pixie’s Furnishing and Whatnots on 14th Street in DC, where he had his eye on a set of pink-and-green malachite end tables.
He also listed some rules to follow – after stipulating that he’d “done all the don’ts.” His Do’s were simple and clever:
- painted floors
- natural-fiber rugs
- bamboo blinds
- Abstract Expressionist art
- Streamlined, modern pieces such as credenzas and x-benches can instantly chic-ify a home.
His Don’ts included:
- accent walls (“Just paint the whole thing!”)
- overstuffed couches
- chenille
- and slavish devotion to a specific designer or era.
He cautioned against the “Goldilocks” ethos (not too big, not too small), encouraging aspiring decorators to embrace scale, not to fear it. His example for this point was a photo of Redd’s living room, its focal point a picture of a panther, flanked by mirrors on either side. It was huge – and breathtaking. You can see that and many others photos of his apartment at New York Social Diary.
After the talk ended, my boyfriend picked me up and we drove to Cleveland Park to collect the coffee table we had spotted earlier that day: 40 bucks, found on Craigslist. It was much bigger than it had looked in the ad – but I shouldn’t fear scale, right?
Design Decadence
Last night was a big night for us at Washington Spaces, as we helped host two events to celebrate fabulous design.

The Washington Spaces staff at Boffi Studio DC
We started at Morton’s The Steakhouse in Tysons Corner, where we honored the winners of this year’s Washington Spaces Best of Interior Design competition. We presented them with framed layouts of their projects from our Spring issue and toasted them with free-flowing wine while enjoying delectable hors d’oeuvres.
Then we dashed over to Georgetown to Boffi Studio DC, where we co-sponsored a reception to celebrate its first anniversary in Cady’s Alley. Paolo Boffi himself came from Italy for the occasion, where he introduced a new version of the Minikitchen, originally designed by his friend Joe Colombo in 1962.
Keep reading for a rundown of the Seen and Heard.
At Morton’s

Laura Lim, director of sales and marketing for Morton’s The Steakhouse Tysons Corner and Designer Lynni Megginson.
Lynni Megginson, owner and principal of L&M Designs, hilariously recounted the story of how she called Senior Staff Writer Emily Lyons every day for a weeks to try to get Emily to tell her if her glorious bedroom project had won an award. Emily wouldn’t budge. Lynni then said she cried on the day the magazine was published, assuming she had not won (although she hadn’t yet seen the issue). When her husband called her at work the next day to congratulate her, she yelled at him for playing such a cruel joke. “I’m looking at the magazine,” he told her. “You won.” She cried again – this time it was tears of joy.

Eric Kole of Vastu with Washington Spaces Senior Editor Jennifer Sergent, Account Executive Rashida Creque, and Vastu Marketing Director Janelle Tracy
Eric Kole, one of the principal designers at Vastu, who was honored for his sophisticated bedroom design, said his hip DC design source and furniture store has acquired clients from as far away as New York and Miami. Here in DC, he said many people come in with copies of Washington Spaces, asking him to replicate a look they saw on our pages.

Camille Saum receives her award
Camille Saum, whose charming, summery dining room was also a winner, was floating on Cloud Nine with smiles and hugs all night.

Andreas Charalambous receives his award
Andreas Charalambous, principal of Forma Design, looked calm and cool in a retro-styled shirt. His winning bedroom, with its sleek built-ins and streamlined furniture, reflects that personality. You can see it also in his projects that are featured on HGTV’s Designer’s Portfolio.

Ken Lartey, Lorna Gross of SAVANT Interior Design, who received an “Outstanding” award for a stylish living room, and Jennifer Berman

Designer Karen Marvaso of Amber Fields Interiors, whose sumptuous dining room was a winner, is flanked by her colleague Ellen Roberts and Washington Spaces Account Executive Angela Carpenter

Designer Diane Gordy, right, of Diane Gordy Interiors, whose bedroom/sitting area was an “Outstanding” winner, soaks up the attention from Barbara and Robert Small.
At Boffi

Boffi Studio DC’s stunning showroom

Washington Spaces Senior Staff Writer Emily Lyons, Account Executive Mary Sue Jedele, Associate Publisher Heather Heider, Boffi Studio DC Owner Claude Zein, and Editor in Chief Trish Donnally

Architect Travis Price stands with his girlfriend, jewelry designer Heidi Hess, at right. At left is Shawn Afsharjavan, owner of Integrated Design Solutions and his wife Maria.
Architect Travis Price, looking elegant with his signature scarf draped around his neck, was admiring the beauty of the surroundings. “Don’t you feel like you’re in a home?” he asked. A very nice home at that. Boffi’s contemporary style is a perfect match for Price’s renowned modernist aesthetic.

Darryl Carter relaxes with his colleague Ashley Baumgarner at left and Washington Spaces Editor in Chief Trish Donnally at right. Greg Gaddy, sales associate with Tutt, Taylor & Rankin Sotheby’s International Realty, enjoys the evening, too.
Designer Darryl Carter was also impressed with the showroom, where sculptural bathtubs were filled with water, palm fronds, and floating tea lights and complete kitchens were camouflaged beneath sliding countertops.
"It was astoundingly eye-opening in terms of the possibilities. It’s so refreshing for DC. The design was so innovative, it was inspirational,”"says Carter, whose book The New Traditional (co-written with our Editor in Chief Trish Donnally) will be out in the fall.

Michael Merschat with Designer Karen Luria and Washington Spaces Senior Editor Jennifer Sergent
Architect Matthew Ossolinski and Designer Michael Merschat of Ossolinski Architects, who recently designed a “green” home renovation in Arlington that will be featured in our fall issue, also stopped by to check out the scene.
Meanwhile, designer Karen Luria was chatting up Tim McBride of BoConcept, (whose Cady’s Alley showroom is just up from Boffi’s) to talk about how comfortable her new BoConcept bed and mattress are.
In our ideal modern world, a BoConcept bedroom and a Boffi kitchen sounds just right.

Haluk Ilikyel and Jeannie Gregori, owners of Gallery Anatolian in Georgetown.

The treats were as delectable as the surroundings
– Written by Jennifer Sergent, Photography by Magenta Livengood
“Open House” of Style

If your design sense leans modern, you might want to check out the new model units at 22 West in DC’s West End. Even if you’re not in the market for condos (which range from $783,500 to more than $3.8 million) in EastBanc LLC’s newest building, you’ll get some great ideas from the two models, which were designed by Jason Claire at Vastu and Contemporaria’s owner, Deborah Kalkstein.
Vastu:
Designer Jason Claire says decorating models has become part of Vastu’s business, and it seems to be paying off. Last weekend, a customer who just bought one of 22 West’s units came in requesting the same art (Vastu has an art gallery) and the same general look as the model for his own condo on the 8th floor. This is what he will get:
“Our look is being very comfortable within a modern environment,” Claire says.
In the living/dining room, notable elements include a dining table by Warren Platner for Knoll as well as a coffee table by Florence Knoll. “We wanted to have a couple pieces in the space that are sculptural and well-known,” Clair says. The pierced resin chandelier over the dining table is by Oly.

The beds in the condo’s two bedrooms were custom-designed by Steven Anthony, who works exclusively with Vastu. If you like the bed, but want a higher headboard and shorter legs, they can do that, Claire says. Same thing goes for Anthony’s sofas and chairs.
In the master bedroom, the headboard and platform are covered in two Knoll textiles. The rug by Mat (for which Vastu is the exclusive DC-area dealer) is a spun wool shag, which is available in several colors.

The second bedroom has a metal platform bed with a headboard covered in fabric by Luna.

The kitchen, like all others in the building, is outfitted with Poggenpohl cabinetry.
Contemporaria:
Designer Deborah Kalkstein rarely designs models, but agreed to do this one because she was able to furnish the entire condo herself. As for the elegant modern look, she says, “The idea was to achieve something that will be appealing to people of different ages and different ways of life.” The art that adds splash to every room was chosen by Mike Weber, whose work is also featured in our current issue.
In the living area, Kalkstein used the Hamilton Islands Sofa, the Harrison Coffee Table, and the Legger (side) table, all by Minotti, exclusively through Contemporaria.

A customer came into the store this week and purchased this Elevenfive Wall System by MDF after spotting it in the 22 West unit.

The ultra-cool dining area is capped by the dramatic Verner Panton chandeliers. The new antique dining chairs (upholstered with stamped leather that looks like fabric) are from Cappellini, and they surround the Less Dining Table by Molteni & C.

Kalkstein created a wonderful still-life where the glass walls come to a sharp corner, using the Wooden Chair by Cappellini and the Domino table by Molteni & C.

In the adjacent kitchen area, she completes the look of this big open space with Verner Panton pendants and Hi Pad stools by Cappellini.

Among Kalkstein’s favorite items are the Pano Suspension lamps by Verner Panton in the master bedroom, which hang on each side of the Twig Bed by Molteni.

She creates a whimsical tone in the second bedroom, with a Gnome Table Stool by Philippe Starck for Kartell, the silver piggie bank, and the black Bourgie Lamp, also by Kartell.

There’s Something about Hairstylists…
There might be a trend afoot here. Last summer’s Design Star winner on HGTV, Kim Myles, was a hairstylist by trade before winning her own show on that network called “Myles of Style” and becoming a major design celebrity.
Meanwhile, hairstylist Heidi Johnston of Warrenton, VA, was posting images of her DIY decorating on HGTV’s “Rate My Space,” and becoming a minor celebrity under her screen name, hpj185.

Her spaces have received tens of thousands of visitors who have posted hundreds of gushing comments about her elegant style. So we decided to take a virtual visit to her Warrenton home and talk some shop.
So, what is it about hairstylists who have great decorating and design sense? “It’s all creative,” says Johnston, who has owned The Secret Garden salon in Warrenton for 21 years. “You’re really kinda working with fabrics either way, whether it’s hair or upholstery.”
Johnston and her fiancé moved into a new home last October, and like her previous home that had gotten rave reviews on Rate My Space, she decorated the new one within three months. Here’s how she did it:
The Kitchen
Johnston hated the dark cherry cabinets in the home’s kitchen, and set about immediately to change them. Refacing turned out to be almost as expensive as replacing the cabinets, so she turned to decorative painter Cindy Mueller, who painted and glazed them to give the space a French Country look. “That, to me, single-handedly transformed the house,” she says.


The Living Room:
Johnston got the frames for a pair of antique chairs from Mueller, who then painted them. Then Johnston splurged on Scalamandre fabric to upholster the chairs. “I just wanted them to be this perfect fabric,” she says. “This [blue] dictated the color scheme throughout my house.] If you look closely, there’s a hint of this shade of blue in every room, but it is so subtle that all a visitor notices is how cohesive it all looks. Her use of zebra print, furthermore, in an otherwise restrained room gives the space a delicious flourish.

Family Room:
Johnston almost didn’t buy the house because of this now-gorgeous room. To make it all work, she had built-in cabinets installed, which she painted and glazed herself to match the kitchen cabinets. Then, she purchased an extra-deep Manor Sofa from Z Gallerie, so she and her fiancé can lie side by side to watch television. She also had molding applied on the wall to frame the art. Her layering of drapery panels over fabric-backed woven shades gives the room added texture.

Dining Room:
Johnston loved the look of wallpaper she put up in the powder room of her previous home, so she went for it here in the dining room, with a Thibaut pattern that “looks real tea-stained or kind of warm and old,” she says. Then she hung a contemporary painting to juxtapose with the room’s antique look. The sea shells on the table and the plantation shutters add a crispness to the space as well.

Bedroom:
She carried the blue accents upstairs and into her bedroom. Those colors, along with more plantation shutters, lighten up the dark woods in the room to make a delightful retreat.

What You Never Knew About Mario Buatta

Renowned designer Mario Buatta is known for many things, from his heavy English-country style of decorating, to his penchant for all things chintz, to his love of dog portraits.

But stand-up comedian? Who knew? Those who came to the Georgetown House Tour benefit last week looking for a dissertation on design must have been deeply disappointed – and drowned out by all the laugher – because most of Buatta’s one-hour talk consisted of improv, from making fun of his Italian name to needling members of the audience – and making note of who the pretty ladies were.
In between the repartee, however, he did let slip some nuggets of design advice:
- Don’t worry if your space isn’t instantly “done.” “A house grows with you during your life. It’s never finished.”
- If you collect decorative plates (or vases or deer antlers), display them together. “Things look better in a collection rather than sprinkling them all over the room.”

- Don’t worry about dust. (A real tip, or part of his comedy routine? You decide.) “I think of dust as a protective coating for fine furniture. It doesn’t move, so I don’t move it.”
- Look to items you already own for inspiration. “Having things that you have in your family is a nice way to start a room.”
- Even if you have to install a fake one, put a fireplace in your space. “I have four fireplaces in my apartment, which I haven’t used in 30 years, but they’re so nice to have as a focal point in a room. Then it’s a real room.”

Despite Washington’s traditional bent when it comes to décor, Buatta could barely count on one hand the number of clients he’s had here since he opened his business 45 years ago.
“I don’t socialize here,” he says simply. But he had a lot of nice things to say about the region.
“I love it down here because it’s sort of close to the South. They’re very comfortable. They have a Southern comfort about them.” The stately homes of Washington grand dames Evangeline Bruce and Oatsie Charles come to mind, he adds.
“It’s a much more gracious way of living than in New York. It’s sort of city and country at the same time. There’s something very gentile about it.”
